This is a concept that I hear a lot in playing by modern blues players like Matt Schofield, Robben Ford, Larry Carlton, and others.

It involves using a bit of music theory to “borrow” the arpeggios from other chords within the key, not the chord that is being played.

What that does is create a situation where you are tending to focus on the “colorful” chord tones, and not so much on the traditional ones.

Used with purpose, and resolving this correctly, yields a really cool sound – doing it wrong, tends to sound wrong 🙁

This is just one of the topics in my new “Modern Blues Soloing” course, which is here:
https://gobgu.com/getmbsyt

The TAB for this lesson:

Borrowing Arpeggios…

Website – https://BluesGuitarUnleashed.com

Premium Courses, Jam Tracks, and Songs – https://bluesguitarunleashed.com/course-catalog

All Access Pass – https://gobgu.com/allaccess

“How To Jam” Guidebook (PDF) – https://gobgu.com/howtojam

The “4 Note Solo” Mini Course – https://gobgu.com/4notesolo

Hope you dig the video!