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Hi, I’m Keith Wyatt. Good blues has humor, sex, danger; a good man feeling bad, a bad man feeling good, Lightning in a bottle — three chords and the truth!
Great blues guitar players hit us on an emotional level. A single phrase can express power, romance, weariness, optimism, joy, despair – the whole range of human feelings.
If we’re thinking about what scales, arpeggios, or licks to use — then that’s what your audience will hear. To create an emotional reaction with the listener — which we all aspire to do — we need to think of soloing in a much different way.
Start with what you want the listener to feel, and then line up the techniques and vocabulary to express it. With this in mind, I’ve prepared 10 soloing studies, each focused on a key approach for building your solos following this principle.
Ready to dig in? Let’s get started!
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