“It was one of those things we cut a lot of times; one of those cuts that you can play forever and ever in the studio. Twenty minutes go by and you’re still locked into those two chords… Sometimes you become conscious of the fact that, ‘Oh, it’s “Brown Sugar” again,’ so you begin to explore other rhythmic possibilities. It’s basically trial and error. As I said, that one was pretty locked into a reggae rhythm for quite a few weeks. We were cutting it for Emotional Rescue, but it was nowhere near coming through, and we put it aside and almost forgot about it.”