DONT KNOW WHAT TO PLAY? *KLICK HERE* Its a 12 bar Minor-Blues. Chords are: Am | | | | Dm | | Am | | Fmaj7| E7 | Am | E7:|| You can play different scales. I…
25 thoughts on “Sad Blues Guitar Backing Track in Am”
jesus reyes
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LIKE IT
webnet15
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this is nice…………….
adrian dangiolillo
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love it !!
David Pile
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Thank you for some great tracks
BackingTracksEP
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Check out my new backing tracks, subscribe to our channel for lots more!! Any requests for keys/styles will be made within a week afterwards!
ezracakes
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i love this backing track great job thanks for posting
Влад Повалій
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Thx bro!!
JamminTracks
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I love addictive drums. In the right hands… it can sound amazing.
cabgt
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Sounds like The Thrill Is Gone – BB King. Nice
AchimPf
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really good
randy mckissack
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nice
Marcelo Oyarzo
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la guitarra es real?
fullyholly1
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Can you do one for Danny Boy Eric Clapton.Thanks later
Samsinge
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…gone away! hahaha
Samsinge
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…..the thrill is gone…the thrill is away!…love bb king!
Selene Knight
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thank you this helps me learn
216KDub
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Hey 91dpo! The reason E7 fits so well over this is because it contains the leading tone, in this case the G#. This tone creates the Root – Fifth cadence that is commonly used in blues;jazz;and the like. ———-Substitutions for this include any altered 7th chord with an E root (Augmented, m7b5, b9, #9, etc…)—— also the tritone substitution being a Bb13—— or any of the diminished chords in the chain of Ab… (Ab, B, D, F)
Catalin Blaga
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no, in A minor is Emaj, but E7 is often used because as you noticed, it fits very well:) keep on playing!
cooljohn12000
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Yea there’s tritone substitution.
You replace the dominant 7th chord with 7th chord, that’s one tritone up from it. In this case you would play Bb7 instead of E7. It would lead back to Am too. .
91dpo
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Are there any other common chord substitutions like that I should learn?
91dpo
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Thank you 🙂
91dpo
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Thanks for the help!
Daniel Page
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It’s common practice to replace the minor v chord with a major or dominant 7th V or V7 chord at the end of the form. This creates stronger voice-leading – or a more forceful sounding progression when it goes back to the minor i chord. It contains the "leading tone" – the note one half-step below the tonic. This also means you would use harmonic minor when improvising over that final chord.
Catalin Blaga
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Great work. Thanks!
Catalin Blaga
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A minor key includes: Am Dm and Emaj with the major relative key, C wich includes thos chords: C, F and G. So in Am key you should play this chords: Am, Dm, Gmaj, Cmaj, Fmaj and Emaj.
LIKE IT
this is nice…………….
love it !!
Thank you for some great tracks
Check out my new backing tracks, subscribe to our channel for lots more!! Any requests for keys/styles will be made within a week afterwards!
i love this backing track great job thanks for posting
Thx bro!!
I love addictive drums. In the right hands… it can sound amazing.
Sounds like The Thrill Is Gone – BB King. Nice
really good
nice
la guitarra es real?
Can you do one for Danny Boy Eric Clapton.Thanks later
…gone away! hahaha
…..the thrill is gone…the thrill is away!…love bb king!
thank you this helps me learn
Hey 91dpo! The reason E7 fits so well over this is because it contains the leading tone, in this case the G#. This tone creates the Root – Fifth cadence that is commonly used in blues;jazz;and the like. ———-Substitutions for this include any altered 7th chord with an E root (Augmented, m7b5, b9, #9, etc…)—— also the tritone substitution being a Bb13—— or any of the diminished chords in the chain of Ab… (Ab, B, D, F)
no, in A minor is Emaj, but E7 is often used because as you noticed, it fits very well:) keep on playing!
Yea there’s tritone substitution.
You replace the dominant 7th chord with 7th chord, that’s one tritone up from it. In this case you would play Bb7 instead of E7. It would lead back to Am too. .
Are there any other common chord substitutions like that I should learn?
Thank you 🙂
Thanks for the help!
It’s common practice to replace the minor v chord with a major or dominant 7th V or V7 chord at the end of the form. This creates stronger voice-leading – or a more forceful sounding progression when it goes back to the minor i chord. It contains the "leading tone" – the note one half-step below the tonic. This also means you would use harmonic minor when improvising over that final chord.
Great work. Thanks!
A minor key includes: Am Dm and Emaj with the major relative key, C wich includes thos chords: C, F and G. So in Am key you should play this chords: Am, Dm, Gmaj, Cmaj, Fmaj and Emaj.